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The Collision Between Art And Fashion

2012/3/19 14:20:00 22

Qin Weihong Fashion Modeling

In Qin Weihong's works, he relates the edge with the fairy tale, while the edge actually refers to the expression of the center. When it comes to the relationship between the center and the periphery, there is actually a relationship between dominance and domination, authority and obedience.



Qin Weihong's marginal fairy tales




Qin Weihong's marginal fairy tales


In this sense, the reason why Qin Wei hung is concerned about the edge is that he connects his personal experience with him. He turns the edge into a visual expression of the self margin, concretely focusing on the spiritual zone of the individual - psychological, lonely, closed, sad, warm, imaginary state and changing it, so as to establish a very personal sculpture language.




Qin Weihong's marginal fairy tales




Qin Weihong's marginal fairy tales


  

Qin Wei Hong

He got inspiration and inspiration from surreal language. He found a more suitable way to express himself, showing a relationship between people who are docile, fragile and easily wounded in different states in a super realistic and fictive way. This relationship conveys human's reflection on their actions.




Qin Weihong's marginal fairy tales




Qin Weihong's marginal fairy tales


In his work "Bailu frost", Qin Wei hung borrowed the meaning of the movie Black Swan. The deer was shown as a solitary dancer, and the deer was in the middle.

modelling

On the other hand, it has changed shape, and has chosen pink, which indicates a kind of erotic and sweet meaning, and this erotic exudes another kind of bloody feeling.

In the "dream of flowers", Qin Weihong combines animals with humans, and people are treated as a neurotic image, neurotic eyes, and psychopaths.

clothing

It reflects the insane moments of everyone's body, and the antlers on their heads symbolize some beautiful things like flowers. However, it is precisely this symbolic beauty that is antagonistic to mental disorders, which forms the expressive force of the sculpture language. In the "Knight", Qin Weihong sublimated his childhood memories, and expressed the child's emotional vulnerability and self protection consciousness by using the concept of Knight protection.




Qin Weihong's marginal fairy tales




 

Qin Weihong's marginal fairy tales


 
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