"National Costume Culture 20" In The Qing Dynasty.

It is one of the daily costumes worn by the imperial court empress dresses in the Qing Dynasty. It is also one of the most gorgeous patterns in the imperial concubine dress, one of the most elaborate workmanship and one of the most frequently worn costumes.

In the Qing Dynasty, the shape of the coat was as follows:

Straight, long enough to cover up, showing only the high bottom of the flag shoe.

The round collar is twisted on the right side.

Turn left and right to the armpit.

The double sleeve sleeves are folded on the sleeves and worn on the sleeves and elbows.

The sleeves are decorated with beautifully replaceable cuffs, which are easy to remove and wear.

Wear cotton, clip, satin and yarn all the year round.

Different from other costumes, the top of the garment on both sides of the armpit is supported by tapes and embroidered plates.

The edge of the garment and the sleeve end are decorated with many kinds of colorful embroidered edges, tapered edges, rolled edges, dog edges and so on. Especially after the Tongzhi and Guangxu in the Qing Dynasty, this kind of complicated border decoration is as many as several layers.

As the late Qing Imperial Palace empress dresses, the clothes changed the style of the traditional robes of the Manchu, and catered for the court style of the late Qing Dynasty, which pursued the luxury of luxury and extravagance.

One of.

In the Qing Dynasty, the moonlight Satin Embroidered Yulan butterfly pattern jacket was embroidered on the satin satin of the moon, embroidered with magnolia and butterflies. The sleeves were decorated with pink dragon stripes, Pink Satin Embroidered edges, and the blue satin water of the Zhijin Satin border.

The design of this gown is the ornamentation of Ci Xi's empress dowager. The magnolia flowers imply Ci Xi's nickname "Lan Er"; the embroider of the coir garment is very delicate and exquisite, which is more regular than that of the contemporaneous clothes of the same kind. It is one of the finest boutiques of the imperial concubine of Tongzhi and Guangxu. Therefore, it is not ruled out that this is the Queen's Queen's Royal costume.

The Qing Dynasty Red Satin Embroidered peony butterfly striped clothe was a typical imperial dress of the late Qing Dynasty.

According to Manchu custom, this kind of heavy colored red or blue coat is worn by the elderly.

There are four kinds of embroidered clothes with embroidered edges and tapered edges.

Although the colors are different, the border patterns are echoed with the theme of the dress, the stitches are neat and neat, and the workmanship is exquisite and exquisite.

In the Qing Dynasty, pink gauze embroidered crabapple and single cloths were casual clothes worn by young concubines in summer.

It is a common pattern of the imperial concubine dress in the late Qing Dynasty.

Bright coloring makes it full of spring, summer, warm and joyous breath.

The yarn hole of sesame yarn is fine and pparent, which represents the superb level of the textile technology in the Qing Dynasty, and also makes the wearer cool and comfortable.

Because of the frivolity of fabric, embroidery is particularly important. The embroidery of this coat is broken through the hair, and the needle is flexible and skillful. It makes the embroidered flowers flat and thin, almost touching the surface of the yarn without touching it with hands.

Exquisite workmanship is wonderful.

The mantle is the traditional Han nationality.

After the Qing Dynasty, it was first seen in the imperial palace. In the Qing Dynasty, the original coat of the imperial court did not have too much trimming. Later, it was gradually increased by the influence of "Eighteen inlays" in the southern part of the Yangtze River. This reflects the court's pursuit of luxury and luxury in the late Qing Dynasty.

At the end of the Qing Dynasty, the robes of the tunic and Manchu costumes gradually merged into a cheongsam and became an exotic flower in Chinese costumes.