Chinese Brand And Its Designer - "Su Ran" ZUCZUG (3)
The discussion of the elements of Wang Yiyang
One cut
Size creation state
The clothes I designed were mainly concerned with the size and proportion of the tailoring, which did not reflect many structural changes.
Japanese designers will be more curious and striking in structural treatment, but I think my strength is not here.
My clothes want to express a calm and free atmosphere, and this kind of temperament can not be totally dependent on the tailoring structure. So the processing of the structure is not the key in my clothes, and I think cutting should not be very complicated.
What I pay more attention to is size, proportion and size, which are very important for Chinese clothes.
For Yamamoto Teruji, he likes super size.
Everything is oversize.
It can be said: size creates state.
Looking for Chinese dress sizes
I usually pay more attention to the size and shape of clothes.
Recently, they are very interested in dressing for the elderly, because their clothes and dressing habits continue to continue the Chinese tradition.
I have been looking for the size of Chinese clothing, which is very important.
Yamamoto Teruji's super size comes from Japanese traditional clothes, and I always hope to find the most suitable size of Chinese clothes and design the most suitable Chinese clothes.
Fashion designers will face such a problem: it seems that only western and Japanese tailoring are real tailoring.
In fact, this is related to the attitude towards tailoring, especially the students who study and design.
It must be realized that there are other things besides that.
I am not sure yet what it is, but it surely exists.
Many people are confined to such a single standard of judgement. Surprisingly, this is common among young designers in the West. Their innovation and independence are obviously not enough.
For westerners, Eastern culture is extremely mysterious, and they are totally not confident in this culture.
The eastern way of cutting and size not only brings a new look to the west, but also a cultural shock.
However, the so called
"Oriental cutting style" seems to have been exhausted by Japanese designers.
The difference between the two is that the Western way of cutting is the destructive cutting of scalpel, which cuts the material into many small pieces and then splits accurately, while the eastern clipping is uncertain.
One of the contributions of Japanese designers is to bring a new attitude to the West. Under such a concept, it is even more difficult for Chinese designers to tailor their language. It is not easy to really establish the independence of Chinese style cutting.
In fact, Chinese style designers should have their own styles and styles.
Chinese traditional clipping is a kind of flat cutting, which should be related to the flat structure of Chinese race.
So now I consciously make clothes with the Chinese way of tailoring.
Earlier, I always wanted to make clothes "fashionable" and act like a master. Looking back, I think we may have to go through that stage to get to the present state.
It is only now that the Western cut may not be one hundred percent suitable for oriental people. This may not only be a matter of physical structure, but also closely related to the breath and temperament of the race.
The old buildings in Suzhou inspired me.
I once visited an old house in Suzhou, where the size of every family was inherited from their ancestors, but there was no change in the size of the buildings. But the building materials changed, and their houses are of course modern building materials.
But still feel the beauty of architecture, this is the decisive role of scale.
Two fabric
I also do not care about fabric, but there is a fundamental requirement: quality.
Texture is the most important.
The fabric I like is actually two kinds, pure natural, such as wool and cotton; non natural, such as nylon.
These two are the two extremes of material.
In fact, the most important thing for a designer is his idea. Cutting and fabric are very minor compared with this.
Three color
Like artists, different times like different colors, but the most favorite is blue.
Some of the colors are never out of date, and those colors are also my favorite.
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Su ran in 2011
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One cut
Size creation state
The clothes I designed were mainly concerned with the size and proportion of the tailoring, which did not reflect many structural changes.
Japanese designers will be more curious and striking in structural treatment, but I think my strength is not here.
My clothes want to express a calm and free atmosphere, and this kind of temperament can not be totally dependent on the tailoring structure. So the processing of the structure is not the key in my clothes, and I think cutting should not be very complicated.
What I pay more attention to is size, proportion and size, which are very important for Chinese clothes.
For Yamamoto Teruji, he likes super size.
Everything is oversize.
It can be said: size creates state.
Looking for Chinese dress sizes
I usually pay more attention to the size and shape of clothes.
Recently, they are very interested in dressing for the elderly, because their clothes and dressing habits continue to continue the Chinese tradition.
I have been looking for the size of Chinese clothing, which is very important.
Yamamoto Teruji's super size comes from Japanese traditional clothes, and I always hope to find the most suitable size of Chinese clothes and design the most suitable Chinese clothes.
Fashion designers will face such a problem: it seems that only western and Japanese tailoring are real tailoring.
In fact, this is related to the attitude towards tailoring, especially the students who study and design.
It must be realized that there are other things besides that.
I am not sure yet what it is, but it surely exists.
Many people are confined to such a single standard of judgement. Surprisingly, this is common among young designers in the West. Their innovation and independence are obviously not enough.
For westerners, Eastern culture is extremely mysterious, and they are totally not confident in this culture.
The eastern way of cutting and size not only brings a new look to the west, but also a cultural shock.
However, the so called
"Oriental cutting style" seems to have been exhausted by Japanese designers.
The difference between the two is that the Western way of cutting is the destructive cutting of scalpel, which cuts the material into many small pieces and then splits accurately, while the eastern clipping is uncertain.
One of the contributions of Japanese designers is to bring a new attitude to the West. Under such a concept, it is even more difficult for Chinese designers to tailor their language. It is not easy to really establish the independence of Chinese style cutting.
In fact, Chinese style designers should have their own styles and styles.
Chinese traditional clipping is a kind of flat cutting, which should be related to the flat structure of Chinese race.
So now I consciously make clothes with the Chinese way of tailoring.
Earlier, I always wanted to make clothes "fashionable" and act like a master. Looking back, I think we may have to go through that stage to get to the present state.
It is only now that the Western cut may not be one hundred percent suitable for oriental people. This may not only be a matter of physical structure, but also closely related to the breath and temperament of the race.
The old buildings in Suzhou inspired me.
I once visited an old house in Suzhou, where the size of every family was inherited from their ancestors, but there was no change in the size of the buildings. But the building materials changed, and their houses are of course modern building materials.
But still feel the beauty of architecture, this is the decisive role of scale.
Two fabric
I also do not care about fabric, but there is a fundamental requirement: quality.
Texture is the most important.
The fabric I like is actually two kinds, pure natural, such as wool and cotton; non natural, such as nylon.
These two are the two extremes of material.
In fact, the most important thing for a designer is his idea. Cutting and fabric are very minor compared with this.
Three color
Like artists, different times like different colors, but the most favorite is blue.
Some of the colors are never out of date, and those colors are also my favorite.
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